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Peter~Anthony is a freelance composer and broadcaster based in Halifax, Nova Scotia.

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16 comments on this post.
  1. Susan Morgan:

    What a pleasure to hear Peter Togni in the Tempo slot this week. Wish we had more time with him regularly during the week!
    Best regards from Washington state.

  2. Donna:

    I agree with Susan. It was great to have Peter Togni host Tempo last week. I made every effort to listen all week.

  3. Lisa Bush:

    Looking (and sounding) good, Peter. I’ve been following your amazing career, lo these many years, my friend. Hoping you are well at this most FESTIVE (yet again the word of the week) time of year.

  4. Arthur Worsdale:

    Re: “Dashing Away with a Smoothig Iron”(Choral Concert, Jan 31).
    . Great to hear some folk music. More?
    You should hear Rutter’s arrangement of the song, featured in “The Sprig of Thyme” ,Collegium Records. Delightful!

  5. Evelyn Myers:

    Peter: Oh, Please stay on Tempo! What a treat to have your voice and intelligent comments – and not talking to us like we were college kids. No more “bands” instead of Orchestras! Your choral program being on later cuts into church time, so have to miss half. We need to go beyond the lowest common denominator – which is where we are now. A little more class for Tempo. Most times I just turn it off as it drives me nuts!. Good luck Evelyn

  6. Dianne Chapitis:

    Hello Peter

    How soothing and uplifting to hear you this week on Tempo ! I look forward to seeing you at the Guelph Jazz Festival.

    Dianne

  7. James Buenting (I"Binting"):

    Thank you, Peter, for playing Dvorak’s “American Quartet” on Wednesday, July 21. You coincidentally described the music as being “bucolic” in contrast to much of American society today. “Bucolic”, however, would describe the setting where apparently Antonin ‘Dvorak composed this piece in the summer of 1893.

    At the time he was living in the small Czech community of Spillville, as you correctly noted. Spillville is located in the northeast area of Iowa and is quite bucolic in its locale of gently rollling hills and the somewhat forrested countryside of this region.

    We visited Spillville on a midwestern holiday last month and read in a tourist brochure that Dvorak received his inspiration for this piece from the neighbouring Turkey River where he is said to have fished !

    St, Wenseclaus Roman Catholic Church is the building where the Dvorak family worshiped and where, from time to time, he would play the still existing organ for Masses and apparently also during his stay in the village for two weddings and a funeral.

    The Dvorak home is the upstairs of what was a tinsmith operation below. The upstairs is now an interesting and well kept museum of Antonin and his life and work. It is claimed that he was so pleased with his newly found Czech community in the new world that he would have liked to have stayed “forever”.

    This well marked building also contains on the first floor a fascinating collection of exquisitively carved and elaborate clocks by two farmer brothers (Frank and Joseph Bily) who left the entire collection to the town of Spillville upon their deaths in 1965 and 1964 respectively. According to local lore, Henry Ford had once offered the brothers a million dollars for one of them. The offer was turned down.

    One additional note which may interest you: on the 19th of June in the Stockholm Cathedral (Lutheran) Crown Princess Victoria married Daniel Westling. Service music from this impressive event has now been released in a special CD made in the EU and produced by Ladybird AB, whose website is
    http://www.ladybird.se in case you would be interested in an ecclectic and superb collection of pieces. One of them, composed espcially for the occasion, is entitled “When You Tell the World You’re Mine” by the Swedish version of Sir Elton John, Jo(e)rgen Elofsson. I believe this remarkable CD would bring pleasure to yourself and many listeners.

    Thanks for your time in reading allof this and thank you for your interesting programme !

    (Rev.) James Buenting

  8. Maeve Hanna:

    Susan Morgan and Evelyn Myers’ comments strike a heartfelt chord with me! It would be so wonderful to hear your voice on Tempo instead! I couldn’t take listening to Tempo anymore this morning when Mozart was called “Wolfie”. … Looking forward to hearing you again soon Peter!!

  9. uģis:

    Beautiful show, as always.

    A slight ethno-pedantic note …

    In what way is the background, religious or otherwise, of Imants Rāmiņš [or, as you pronounce it, Imant Raminsh] “orthodox”?

    siģu

  10. virginia edman:

    Hi Peter, It was a pleasant surprise to hear you on Tempo this morning. I enjoy your choice of music. I will catch you when I can on Radio 2.

  11. Barb:

    Hello, must tell you how much I enjoyed your program yesterday August 16. I was able to get some important paper work done while listening! I usually listen on Sunday but was pleased to hear your choice of music on a weekday. Looking forward to more.
    Thank you…

  12. Ted & Susan Radema:

    Sunday, Sept.30,’12

    Just want to let you know Peter how much we enjoyed
    this particular Sunday morning of Choral Concert
    (Being opera lovers, how can it miss).
    We look forward to our Sunday morning coffee with Radio 2. We enjoy it when you sit in for colleagues, not only for your choice of music but because we like your voice and are able to understand each word perfectly. Thank you,
    Ted & Susan Radema

  13. Phil Hughes:

    I am currently enjoying Choral Concert via ITunes. And although I have grown quite fond of Julie Nesrallah’s enthusiasm on Tempo, it was a pleasure to hear you. As for the introductions on Choral Concert, I like them and hope you and Mr. Reilly choose to keep them.

  14. Susan Anderson:

    Loved your Bach and Handel program today (Oct. 28), but when did Jesu Meine Freude become a cantata? It’s been a motet for as long as I’ve known it; I have a vocal score and a CD to prove it.

  15. Dianne Kaseoru:

    Do you ever play the music of Heinavanker from
    Estonia, it is a religious folk choral groupnwithnan amazing sound…love your show ..from Vt..Happy Holidays, DianneK

  16. Rosemarie Sherban:

    Thank you for having Velvet Shoes on choral concert this am.
    Over my 31 years working with children’s/school choirs, I have always loved this work and taught it to many children.
    But one time stands out more than the rest. I was teaching language arts as well as the music program at Rosedale school in Calgary. We were studying Houston’s FROZEN FIRE so we took winter field trip to Fish Creek interpretive centre, a very quiet place where there is no noise of the city. As we were exploring the frozen landscape, huge snowflakes began to fall, settking in the trees, creating a true winter wonderland.The children suddenly stopped in their explorations and started to sing ” let us walk in the white snow, In a soundless space”……… The music and the language suddenly had such meaning for them!
    This was one of those unforgettable teaching moments and I thank you for bringing it forward in my memory bank. Velvet Shoes is a difficult work, especially tuning the F major section but so brilliant when it switches keys……”I shall go shod in silk….”
    Many thanks,
    Rosemarie Sherban (Robertson) founder Mount Royal Children’s and Calgary Children’s choirs.

    Sent from my iPad

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